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Question 1
ప్రశ్న 1
Which dramatist wrote both The Duchess of Malfi and The White Devil?
Explanation:
• John Webster wrote both The Duchess of Malfi and The White Devil.
• The two plays are major examples of Jacobean tragedy and explore corruption, violence, sexuality and unstable systems of justice.
• Thomas Middleton wrote Women Beware Women, while John Ford wrote 'Tis Pity She's a Whore.
• Webster's dramatic world is especially noted for its dark court settings and morally compromised characters.
• The two plays are major examples of Jacobean tragedy and explore corruption, violence, sexuality and unstable systems of justice.
• Thomas Middleton wrote Women Beware Women, while John Ford wrote 'Tis Pity She's a Whore.
• Webster's dramatic world is especially noted for its dark court settings and morally compromised characters.
వివరణ:
Question 2
ప్రశ్న 2
In The Duchess of Malfi, whom does the widowed Duchess secretly marry?
Explanation:
• The Duchess secretly marries Antonio Bologna, the steward of her household.
• Their marriage challenges the wishes of her brothers and crosses boundaries of rank.
• Bosola is employed to spy on the Duchess, while the Cardinal is one of her hostile brothers.
• The secret marriage initiates the central conflict between personal choice and dynastic control.
• Their marriage challenges the wishes of her brothers and crosses boundaries of rank.
• Bosola is employed to spy on the Duchess, while the Cardinal is one of her hostile brothers.
• The secret marriage initiates the central conflict between personal choice and dynastic control.
వివరణ:
Question 3
ప్రశ్న 3
What role does Bosola initially perform for Ferdinand and the Cardinal in The Duchess of Malfi?
Explanation:
• Bosola is placed in the Duchess's household so that he can observe her and report to her brothers.
• He functions as a malcontent, intelligencer and eventual agent of violence.
• His awareness of court corruption does not prevent his early participation in it.
• His later remorse makes him one of Webster's most morally complex figures.
• He functions as a malcontent, intelligencer and eventual agent of violence.
• His awareness of court corruption does not prevent his early participation in it.
• His later remorse makes him one of Webster's most morally complex figures.
వివరణ:
Question 4
ప్రశ్న 4
Which character in The Duchess of Malfi is the Duchess's twin brother?
Explanation:
• Ferdinand is the Duchess's twin brother and the Duke of Calabria.
• He reacts to her remarriage with obsessive anger, cruelty and possessiveness.
• The Cardinal is also her brother, but he is not identified as her twin.
• Ferdinand's later lycanthropia externalises the violence and disorder already present in his conduct.
• He reacts to her remarriage with obsessive anger, cruelty and possessiveness.
• The Cardinal is also her brother, but he is not identified as her twin.
• Ferdinand's later lycanthropia externalises the violence and disorder already present in his conduct.
వివరణ:
Question 5
ప్రశ్న 5
Which statement best explains the importance of the Duchess's secret marriage in The Duchess of Malfi?
Explanation:
• The Duchess chooses Antonio as her husband despite the commands and surveillance of her brothers.
• Her decision asserts control over her body, household and future.
• The marriage also threatens aristocratic assumptions about rank, inheritance and female obedience.
• The tragic consequences reveal the violence used to enforce patriarchal and courtly authority.
• Her decision asserts control over her body, household and future.
• The marriage also threatens aristocratic assumptions about rank, inheritance and female obedience.
• The tragic consequences reveal the violence used to enforce patriarchal and courtly authority.
వివరణ:
Question 6
ప్రశ్న 6
Which psychological disorder is attributed to Ferdinand after the Duchess's murder?
Explanation:
• Ferdinand is diagnosed with lycanthropia, a condition in which he imagines himself transformed into a wolf.
• His madness follows his participation in the persecution and death of the Duchess.
• The wolf imagery connects his mental collapse with the predatory violence of the court.
• The diagnosis is one of the play's most striking representations of moral corruption becoming bodily disorder.
• His madness follows his participation in the persecution and death of the Duchess.
• The wolf imagery connects his mental collapse with the predatory violence of the court.
• The diagnosis is one of the play's most striking representations of moral corruption becoming bodily disorder.
వివరణ:
Question 7
ప్రశ్న 7
Who is the central female figure placed on trial for sexual and moral corruption in The White Devil?
Explanation:
• Vittoria Corombona is publicly tried and condemned within the corrupt legal and ecclesiastical world of The White Devil.
• Her relationship with Brachiano becomes central to the accusations against her.
• The trial exposes both Vittoria's dangerous position and the hypocrisy of her judges.
• Isabella is Brachiano's wife, while Cornelia is Vittoria's mother.
• Her relationship with Brachiano becomes central to the accusations against her.
• The trial exposes both Vittoria's dangerous position and the hypocrisy of her judges.
• Isabella is Brachiano's wife, while Cornelia is Vittoria's mother.
వివరణ:
Question 8
ప్రశ్న 8
Which character acts as Brachiano's secretary and Vittoria's brother in The White Devil?
Explanation:
• Flamineo is Vittoria's brother and serves as Brachiano's secretary.
• He facilitates the relationship between Vittoria and Brachiano and participates in schemes that lead to murder.
• His cynical speeches reveal the economic pressures and moral corruption of court society.
• Monticelso conducts Vittoria's trial, while Camillo is Vittoria's husband.
• He facilitates the relationship between Vittoria and Brachiano and participates in schemes that lead to murder.
• His cynical speeches reveal the economic pressures and moral corruption of court society.
• Monticelso conducts Vittoria's trial, while Camillo is Vittoria's husband.
వివరణ:
Question 9
ప్రశ్న 9
The title The White Devil is most effectively understood as
Explanation:
• The title joins the apparent purity of whiteness with the moral darkness of the devil.
• This paradox reflects a world in which outward respectability conceals corruption and violence.
• It also complicates attempts to identify one character as the sole source of evil.
• Webster's tragedy repeatedly contrasts public reputation with hidden motive.
• This paradox reflects a world in which outward respectability conceals corruption and violence.
• It also complicates attempts to identify one character as the sole source of evil.
• Webster's tragedy repeatedly contrasts public reputation with hidden motive.
వివరణ:
Question 10
ప్రశ్న 10
Who presides over Vittoria's trial in The White Devil and later becomes Pope Paul IV?
Explanation:
• Monticelso conducts the hostile trial of Vittoria and later becomes Pope Paul IV.
• His position links ecclesiastical authority with political calculation and moral ambiguity.
• The trial does not provide impartial justice; it becomes a display of power and accusation.
• Francisco and Lodovico later participate in the revenge directed against Brachiano and Vittoria.
• His position links ecclesiastical authority with political calculation and moral ambiguity.
• The trial does not provide impartial justice; it becomes a display of power and accusation.
• Francisco and Lodovico later participate in the revenge directed against Brachiano and Vittoria.
వివరణ:
Question 11
ప్రశ్న 11
In Women Beware Women, which character elopes with and marries Bianca before losing her to the Duke of Florence?
Explanation:
• Leantio secretly marries Bianca and brings her to Florence.
• His limited social and economic power leaves the marriage vulnerable to the Duke's desire and Livia's manipulation.
• Bianca's movement from Leantio's household to the Duke's court links sexuality with class and political power.
• Hippolito and the Ward belong to the play's parallel plot involving Isabella.
• His limited social and economic power leaves the marriage vulnerable to the Duke's desire and Livia's manipulation.
• Bianca's movement from Leantio's household to the Duke's court links sexuality with class and political power.
• Hippolito and the Ward belong to the play's parallel plot involving Isabella.
వివరణ:
Question 12
ప్రశ్న 12
Which activity does Livia use to distract Leantio's mother while the Duke gains access to Bianca in Women Beware Women?
Explanation:
• Livia engages Leantio's mother in a game of chess while the Duke approaches Bianca.
• The chess game functions as a theatrical image of strategic manipulation and controlled movement.
• While the older woman concentrates on the board, a more dangerous social game unfolds elsewhere.
• The episode connects courtly deception with the treatment of women as pieces in struggles for power.
• The chess game functions as a theatrical image of strategic manipulation and controlled movement.
• While the older woman concentrates on the board, a more dangerous social game unfolds elsewhere.
• The episode connects courtly deception with the treatment of women as pieces in struggles for power.
వివరణ:
Question 13
ప్రశ్న 13
Which character in Women Beware Women manipulates several relationships and becomes a major organiser of the play's deceptions?
Explanation:
• Livia engineers or facilitates several of the play's sexual and social intrigues.
• She helps the Duke gain access to Bianca and deceives Isabella about her parentage.
• Her manipulations demonstrate how courtly corruption recruits women as both agents and victims.
• The final catastrophe turns the structures of deception back upon those who created them.
• She helps the Duke gain access to Bianca and deceives Isabella about her parentage.
• Her manipulations demonstrate how courtly corruption recruits women as both agents and victims.
• The final catastrophe turns the structures of deception back upon those who created them.
వివరణ:
Question 14
ప్రశ్న 14
Which relationship constitutes the central sexual transgression in John Ford's 'Tis Pity She's a Whore?
Explanation:
• Giovanni and Annabella are brother and sister, and their incestuous relationship drives the tragedy.
• Ford presents their passion with psychological intensity while placing it against religious, familial and social law.
• Antonio and the Duchess belong to Webster's The Duchess of Malfi.
• The play explores the conflict between private desire and moral prohibition without removing the destructive consequences.
• Ford presents their passion with psychological intensity while placing it against religious, familial and social law.
• Antonio and the Duchess belong to Webster's The Duchess of Malfi.
• The play explores the conflict between private desire and moral prohibition without removing the destructive consequences.
వివరణ:
Question 15
ప్రశ్న 15
Whom does Annabella marry after becoming pregnant in 'Tis Pity She's a Whore?
Explanation:
• Annabella marries Soranzo after becoming pregnant by Giovanni.
• The marriage is intended to conceal the incestuous relationship and protect her social position.
• Soranzo eventually discovers the deception and plans revenge.
• Giovanni remains Annabella's brother and lover, while Vasques is Soranzo's servant.
• The marriage is intended to conceal the incestuous relationship and protect her social position.
• Soranzo eventually discovers the deception and plans revenge.
• Giovanni remains Annabella's brother and lover, while Vasques is Soranzo's servant.
వివరణ:
Question 16
ప్రశ్న 16
Who repeatedly advises Giovanni to repent and abandon his incestuous passion?
Explanation:
• Friar Bonaventura warns Giovanni that his desire violates religious and moral law.
• Giovanni attempts to defend his passion through intellectual argument, but the Friar rejects this reasoning.
• The conflict sets scholastic and religious authority against individual desire.
• Putana encourages the relationship rather than opposing it.
• Giovanni attempts to defend his passion through intellectual argument, but the Friar rejects this reasoning.
• The conflict sets scholastic and religious authority against individual desire.
• Putana encourages the relationship rather than opposing it.
వివరణ:
Question 17
ప్రశ్న 17
Consider the following statements about The Duchess of Malfi.
Statement I: The Duchess maintains her dignity even after losing political power and physical freedom.
Statement II: Bosola remains completely loyal to Ferdinand and never turns against him.
Choose the correct answer.
Statement I: The Duchess maintains her dignity even after losing political power and physical freedom.
Statement II: Bosola remains completely loyal to Ferdinand and never turns against him.
Choose the correct answer.
Explanation:
• Statement I is correct because the Duchess continues to affirm her identity and moral integrity under imprisonment and threat.
• Statement II is incorrect because Bosola becomes remorseful and turns against the brothers he served.
• His late effort to punish corruption cannot undo his responsibility for the Duchess's death.
• Therefore, Statement I is correct, but Statement II is incorrect.
• Statement II is incorrect because Bosola becomes remorseful and turns against the brothers he served.
• His late effort to punish corruption cannot undo his responsibility for the Duchess's death.
• Therefore, Statement I is correct, but Statement II is incorrect.
వివరణ:
Question 18
ప్రశ్న 18
Which of the following statements about Women Beware Women are correct?
1. The play is set in Florence.
2. Bianca becomes involved with the Duke.
3. Livia deceives Isabella about her kinship with Hippolito.
4. The final masque produces reconciliation without deaths.
1. The play is set in Florence.
2. Bianca becomes involved with the Duke.
3. Livia deceives Isabella about her kinship with Hippolito.
4. The final masque produces reconciliation without deaths.
Explanation:
• Statement 1 is correct because the tragedy is set within the political and social world of Florence.
• Statement 2 is correct because Bianca becomes the Duke's mistress and later his intended wife.
• Statement 3 is correct because Livia falsely claims that Isabella is not related by blood to Hippolito.
• Statement 4 is incorrect because the concluding masque becomes an instrument of multiple deaths.
• Therefore, the correct combination is 1, 2 and 3 only.
• Statement 2 is correct because Bianca becomes the Duke's mistress and later his intended wife.
• Statement 3 is correct because Livia falsely claims that Isabella is not related by blood to Hippolito.
• Statement 4 is incorrect because the concluding masque becomes an instrument of multiple deaths.
• Therefore, the correct combination is 1, 2 and 3 only.
వివరణ:
Question 19
ప్రశ్న 19
Assertion: Court politics in Jacobean tragedy frequently enters the most private areas of family and sexuality.
Reason: Rulers and courtiers use rank, surveillance, marriage and patronage to control intimate relationships.
Choose the correct answer.
Reason: Rulers and courtiers use rank, surveillance, marriage and patronage to control intimate relationships.
Choose the correct answer.
Explanation:
• The Assertion is correct because marriage, desire and kinship repeatedly become matters of political control.
• The Reason is correct because figures such as Ferdinand, the Cardinal and the Duke of Florence use institutional power to regulate or exploit private life.
• The tragedies show that the household and the court are not separate moral worlds.
• Therefore, both are correct and the Reason correctly explains the Assertion.
• The Reason is correct because figures such as Ferdinand, the Cardinal and the Duke of Florence use institutional power to regulate or exploit private life.
• The tragedies show that the household and the court are not separate moral worlds.
• Therefore, both are correct and the Reason correctly explains the Assertion.
వివరణ:
Question 20
ప్రశ్న 20
Match List I with List II.
List I
1. Bosola
2. Flamineo
3. Livia
4. Vasques
List II
P. Soranzo's resourceful servant
Q. Malcontent employed to spy on the Duchess
R. Manipulator of Bianca and Isabella
S. Vittoria's cynical brother
Choose the correct code.
List I
1. Bosola
2. Flamineo
3. Livia
4. Vasques
List II
P. Soranzo's resourceful servant
Q. Malcontent employed to spy on the Duchess
R. Manipulator of Bianca and Isabella
S. Vittoria's cynical brother
Choose the correct code.
Explanation:
• Bosola matches Q because he is employed to observe and report on the Duchess.
• Flamineo matches S because he is Vittoria's cynical and ambitious brother.
• Livia matches R because she manipulates the situations of Bianca and Isabella.
• Vasques matches P because he is Soranzo's calculating servant and agent of revenge.
• Therefore, the correct code is 1-Q, 2-S, 3-R, 4-P.
• Flamineo matches S because he is Vittoria's cynical and ambitious brother.
• Livia matches R because she manipulates the situations of Bianca and Isabella.
• Vasques matches P because he is Soranzo's calculating servant and agent of revenge.
• Therefore, the correct code is 1-Q, 2-S, 3-R, 4-P.
వివరణ:
Question 21
ప్రశ్న 21
Arrange the following events in The Duchess of Malfi in the correct sequence.
1. Bosola turns against the brothers.
2. The Duchess secretly marries Antonio.
3. The Duchess is imprisoned and murdered.
4. Bosola discovers evidence of the Duchess's pregnancy.
1. Bosola turns against the brothers.
2. The Duchess secretly marries Antonio.
3. The Duchess is imprisoned and murdered.
4. Bosola discovers evidence of the Duchess's pregnancy.
Explanation:
• The Duchess first marries Antonio in secret.
• Bosola later discovers evidence that she has given birth and reports his suspicions.
• Ferdinand and the Cardinal eventually arrange her imprisonment and murder.
• Bosola then turns against his former employers and seeks revenge.
• The correct sequence is 2, 4, 3, 1.
• Bosola later discovers evidence that she has given birth and reports his suspicions.
• Ferdinand and the Cardinal eventually arrange her imprisonment and murder.
• Bosola then turns against his former employers and seeks revenge.
• The correct sequence is 2, 4, 3, 1.
వివరణ:
Question 22
ప్రశ్న 22
Which of the following pairs is incorrectly matched?
Explanation:
• The pair Women Beware Women — a peaceful pastoral ending is incorrect.
• Women Beware Women concludes with a court masque that becomes a violent catastrophe.
• The Duchess of Malfi examines secret marriage and patriarchal control.
• The White Devil and 'Tis Pity She's a Whore are correctly matched with their central conflicts.
• Women Beware Women concludes with a court masque that becomes a violent catastrophe.
• The Duchess of Malfi examines secret marriage and patriarchal control.
• The White Devil and 'Tis Pity She's a Whore are correctly matched with their central conflicts.
వివరణ:
Question 23
ప్రశ్న 23
Which comparison between Bosola and Flamineo is most accurate?
Explanation:
• Bosola and Flamineo are intelligent but socially discontented figures who attach themselves to corrupt patrons.
• Both facilitate violence and expose the moral decay of the courts they serve.
• Bosola develops remorse and attempts belated revenge against the brothers.
• Flamineo remains more consistently cynical and self-interested until the final catastrophe.
• Both facilitate violence and expose the moral decay of the courts they serve.
• Bosola develops remorse and attempts belated revenge against the brothers.
• Flamineo remains more consistently cynical and self-interested until the final catastrophe.
వివరణ:
Question 24
ప్రశ్న 24
A court entertainment is designed to celebrate a marriage, but concealed weapons and poison turn the performance into a sequence of revenge killings. Which play most directly fits this description?
Explanation:
• Women Beware Women ends with a masque intended to celebrate the Duke's marriage to Bianca.
• The participants use the entertainment to conceal poisoned objects, weapons and revenge plots.
• Their schemes interfere with one another and produce multiple deaths.
• The scene transforms courtly spectacle into an image of political and moral collapse.
• The participants use the entertainment to conceal poisoned objects, weapons and revenge plots.
• Their schemes interfere with one another and produce multiple deaths.
• The scene transforms courtly spectacle into an image of political and moral collapse.
వివరణ:
Question 25
ప్రశ్న 25
Which combination correctly identifies recurrent features of Jacobean and Caroline tragedy?
1. Courts corrupted by patronage and concealed violence
2. Sexual desire entangled with property, rank and political power
3. Revenge plots that reproduce the violence they claim to punish
4. Endings in which moral recognition often arrives too late to prevent catastrophe
1. Courts corrupted by patronage and concealed violence
2. Sexual desire entangled with property, rank and political power
3. Revenge plots that reproduce the violence they claim to punish
4. Endings in which moral recognition often arrives too late to prevent catastrophe
Explanation:
• Statement 1 is correct because courts in these tragedies often operate through spying, favour, coercion and murder.
• Statement 2 is correct because marriage and sexuality are repeatedly shaped by class, inheritance and political authority.
• Statement 3 is correct because revenge commonly extends rather than repairs the cycle of violence.
• Statement 4 is correct because characters such as Bosola recognise corruption only after irreversible harm.
• Therefore, all four statements are correct.
• Statement 2 is correct because marriage and sexuality are repeatedly shaped by class, inheritance and political authority.
• Statement 3 is correct because revenge commonly extends rather than repairs the cycle of violence.
• Statement 4 is correct because characters such as Bosola recognise corruption only after irreversible harm.
• Therefore, all four statements are correct.
వివరణ:
Answer Key సమాధానాల పట్టిక
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Question 1 ప్రశ్న 1Answer: B. John Webster సమాధానం: B.
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Question 2 ప్రశ్న 2Answer: A. Antonio Bologna సమాధానం: A.
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Question 3 ప్రశ్న 3Answer: C. He spies on the Duchess and reports her conduct. సమాధానం: C.
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Question 4 ప్రశ్న 4Answer: D. Ferdinand సమాధానం: D.
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Question 5 ప్రశ్న 5Answer: A. It asserts her personal and sexual autonomy against patriarchal and dynastic control. సమాధానం: A.
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Question 6 ప్రశ్న 6Answer: C. Lycanthropia సమాధానం: C.
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Question 7 ప్రశ్న 7Answer: B. Vittoria Corombona సమాధానం: B.
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Question 8 ప్రశ్న 8Answer: D. Flamineo సమాధానం: D.
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Question 9 ప్రశ్న 9Answer: A. a paradox suggesting evil concealed beneath an appearance of innocence or respectability సమాధానం: A.
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Question 10 ప్రశ్న 10Answer: B. Monticelso సమాధానం: B.
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Question 11 ప్రశ్న 11Answer: C. Leantio సమాధానం: C.
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Question 12 ప్రశ్న 12Answer: D. A game of chess సమాధానం: D.
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Question 13 ప్రశ్న 13Answer: B. Livia సమాధానం: B.
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Question 14 ప్రశ్న 14Answer: A. The incestuous relationship between Giovanni and Annabella సమాధానం: A.
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Question 15 ప్రశ్న 15Answer: D. Soranzo సమాధానం: D.
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Question 16 ప్రశ్న 16Answer: C. Friar Bonaventura సమాధానం: C.
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Question 17 ప్రశ్న 17Answer: A. Statement I is correct, but Statement II is incorrect సమాధానం: A.
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Question 18 ప్రశ్న 18Answer: B. 1, 2 and 3 only సమాధానం: B.
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Question 19 ప్రశ్న 19Answer: C. Both Assertion and Reason are correct, and Reason is the correct explanation of Assertion సమాధానం: C.
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Question 20 ప్రశ్న 20Answer: D. 1-Q, 2-S, 3-R, 4-P సమాధానం: D.
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Question 21 ప్రశ్న 21Answer: A. 2, 4, 3, 1 సమాధానం: A.
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Question 22 ప్రశ్న 22Answer: C. Women Beware Women — a peaceful pastoral ending సమాధానం: C.
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Question 23 ప్రశ్న 23Answer: B. Both are female victims of dynastic marriage. సమాధానం: B.
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Question 24 ప్రశ్న 24Answer: D. Women Beware Women సమాధానం: D.
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Question 25 ప్రశ్న 25Answer: A. 1, 2, 3 and 4 సమాధానం: A.
