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Question 1
ప్రశ్న 1
Which poets are most commonly grouped as the major second-generation English Romantic poets?
Explanation:
• Lord Byron, Percy Bysshe Shelley and John Keats are commonly identified as the major second-generation Romantic poets.
• Blake, Wordsworth and Coleridge belong chiefly to the first generation of English Romanticism.
• Byron, Shelley and Keats wrote in the post-Napoleonic period and died relatively young.
• Their poetry develops Romantic concerns with freedom, beauty, imagination, revolution and mortality.
• Blake, Wordsworth and Coleridge belong chiefly to the first generation of English Romanticism.
• Byron, Shelley and Keats wrote in the post-Napoleonic period and died relatively young.
• Their poetry develops Romantic concerns with freedom, beauty, imagination, revolution and mortality.
వివరణ:
Question 2
ప్రశ్న 2
Who wrote Childe Harold’s Pilgrimage?
Explanation:
• Lord Byron wrote Childe Harold’s Pilgrimage.
• The poem follows a disillusioned traveller through European landscapes and historical reflections.
• Its first two cantos, published in 1812, brought Byron immediate fame.
• The work helped establish the brooding, alienated figure later associated with the Byronic hero.
• The poem follows a disillusioned traveller through European landscapes and historical reflections.
• Its first two cantos, published in 1812, brought Byron immediate fame.
• The work helped establish the brooding, alienated figure later associated with the Byronic hero.
వివరణ:
Question 3
ప్రశ్న 3
Which poem by Percy Bysshe Shelley invokes a powerful natural force as destroyer and preserver?
Explanation:
• Ode to the West Wind addresses the west wind as both destroyer and preserver.
• The wind drives away dead leaves while also carrying seeds that will awaken in spring.
• Shelley turns this natural cycle into a symbol of poetic, political and spiritual renewal.
• The poem combines revolution, idealism and the sublime power of nature.
• The wind drives away dead leaves while also carrying seeds that will awaken in spring.
• Shelley turns this natural cycle into a symbol of poetic, political and spiritual renewal.
• The poem combines revolution, idealism and the sublime power of nature.
వివరణ:
Question 4
ప్రశ్న 4
Which concept is most closely associated with John Keats’s literary theory?
Explanation:
• Negative capability is Keats’s term for the capacity to remain in uncertainties, mysteries and doubts without demanding immediate rational resolution.
• Keats formulated the idea in a letter written in December 1817.
• The concept values imaginative openness over the ego’s insistence on certainty.
• The other terms are associated with later critical traditions.
• Keats formulated the idea in a letter written in December 1817.
• The concept values imaginative openness over the ego’s insistence on certainty.
• The other terms are associated with later critical traditions.
వివరణ:
Question 5
ప్రశ్న 5
Which description best defines the Byronic hero?
Explanation:
• The Byronic hero is typically proud, intelligent, isolated, rebellious and emotionally troubled.
• He often rejects social convention and carries guilt or a mysterious past.
• Childe Harold contributed significantly to the development of this figure.
• The type influenced later Romantic, Victorian and modern literary characters.
• He often rejects social convention and carries guilt or a mysterious past.
• Childe Harold contributed significantly to the development of this figure.
• The type influenced later Romantic, Victorian and modern literary characters.
వివరణ:
Question 6
ప్రశ్న 6
What is the stanzaic form of Shelley’s Ode to the West Wind?
Explanation:
• Ode to the West Wind consists of five sections.
• Each section uses a modified terza rima pattern and concludes with a rhyming couplet.
• The interlocking rhyme imitates the wind’s movement and gives the poem forward momentum.
• Shelley adapts an Italian form to an English Romantic ode.
• Each section uses a modified terza rima pattern and concludes with a rhyming couplet.
• The interlocking rhyme imitates the wind’s movement and gives the poem forward momentum.
• Shelley adapts an Italian form to an English Romantic ode.
వివరణ:
Question 7
ప్రశ్న 7
Which of Keats’s odes addresses a bird whose song appears to transcend individual mortality?
Explanation:
• Ode to a Nightingale contrasts the mortal human condition with the apparently timeless song of the nightingale.
• The speaker moves through pain, imaginative escape and eventual return to ordinary consciousness.
• The bird is not literally immortal; its song represents continuity beyond one individual life.
• Beauty and mortality remain inseparably connected in the poem.
• The speaker moves through pain, imaginative escape and eventual return to ordinary consciousness.
• The bird is not literally immortal; its song represents continuity beyond one individual life.
• Beauty and mortality remain inseparably connected in the poem.
వివరణ:
Question 8
ప్రశ్న 8
Which Keats poem meditates on an ancient decorated vessel and the relation between art and life?
Explanation:
• Ode on a Grecian Urn addresses an ancient vessel decorated with frozen scenes.
• The poem explores permanence, desire, sacrifice and the difference between art and lived experience.
• The figures remain eternally beautiful but cannot complete their actions.
• The ode therefore presents artistic permanence as both attractive and limited.
• The poem explores permanence, desire, sacrifice and the difference between art and lived experience.
• The figures remain eternally beautiful but cannot complete their actions.
• The ode therefore presents artistic permanence as both attractive and limited.
వివరణ:
Question 9
ప్రశ్న 9
Which poem by Keats is organized around the ripeness, labour and gradual decline of the autumn season?
Explanation:
• To Autumn presents the season through ripeness, harvesting and the approach of winter.
• Its three stanzas move from abundance to labour and finally to autumnal music.
• The poem accepts change and mortality without forcing an escape from them.
• It is widely regarded as one of Keats’s most formally balanced odes.
• Its three stanzas move from abundance to labour and finally to autumnal music.
• The poem accepts change and mortality without forcing an escape from them.
• It is widely regarded as one of Keats’s most formally balanced odes.
వివరణ:
Question 10
ప్రశ్న 10
What is the central political implication of the final appeal in Ode to the West Wind?
Explanation:
• Shelley asks the wind to scatter his words among humankind like ashes and sparks.
• The request transforms poetry into an instrument of intellectual and political awakening.
• The wind becomes a force capable of carrying revolutionary energy beyond the individual poet.
• The poem therefore links lyric inspiration with collective renewal.
• The request transforms poetry into an instrument of intellectual and political awakening.
• The wind becomes a force capable of carrying revolutionary energy beyond the individual poet.
• The poem therefore links lyric inspiration with collective renewal.
వివరణ:
Question 11
ప్రశ్న 11
Which statement best describes the sublime in second-generation Romantic poetry?
Explanation:
• The sublime involves encounters with vastness, power or terror that exceed ordinary comprehension.
• Mountains, storms, seas and winds can evoke both fear and imaginative expansion.
• Byron and Shelley frequently use sublime landscapes to reflect on human limitation and freedom.
• The sublime differs from simple beauty because it often includes danger, magnitude and emotional disturbance.
• Mountains, storms, seas and winds can evoke both fear and imaginative expansion.
• Byron and Shelley frequently use sublime landscapes to reflect on human limitation and freedom.
• The sublime differs from simple beauty because it often includes danger, magnitude and emotional disturbance.
వివరణ:
Question 12
ప్రశ్న 12
Which work by Byron most directly combines travel, historical meditation and a semi-autobiographical pilgrim figure?
Explanation:
• Childe Harold’s Pilgrimage follows a wandering and disillusioned aristocratic traveller.
• The poem combines descriptions of landscape with reflections on history, war, liberty and empire.
• Although Harold is not identical with Byron, readers often connected the persona with the poet.
• The work contributed strongly to Byron’s public image.
• The poem combines descriptions of landscape with reflections on history, war, liberty and empire.
• Although Harold is not identical with Byron, readers often connected the persona with the poet.
• The work contributed strongly to Byron’s public image.
వివరణ:
Question 13
ప్రశ్న 13
Which poetic form does Byron use extensively in Childe Harold’s Pilgrimage?
Explanation:
• Childe Harold’s Pilgrimage is written chiefly in Spenserian stanzas.
• Each stanza contains eight lines of iambic pentameter followed by an alexandrine.
• Its rhyme scheme is ababbcbcc.
• Byron adapts Spenser’s form for travel, meditation and political reflection.
• Each stanza contains eight lines of iambic pentameter followed by an alexandrine.
• Its rhyme scheme is ababbcbcc.
• Byron adapts Spenser’s form for travel, meditation and political reflection.
వివరణ:
Question 14
ప్రశ్న 14
Consider the following statements about Shelley’s poetic idealism.
Statement I: Shelley often presents imagination and poetry as forces capable of transforming human consciousness.
Statement II: Shelley consistently treats existing political institutions as perfect embodiments of freedom.
Statement I: Shelley often presents imagination and poetry as forces capable of transforming human consciousness.
Statement II: Shelley consistently treats existing political institutions as perfect embodiments of freedom.
Explanation:
• Statement I is correct because Shelley repeatedly attributes liberating and transformative power to imagination and poetry.
• Statement II is incorrect because he strongly criticizes tyranny, oppression and established institutions that deny freedom.
• His idealism looks toward moral and political renewal rather than passive acceptance of existing authority.
• Therefore, option D is correct because Statement I is correct, but Statement II is incorrect.
• Statement II is incorrect because he strongly criticizes tyranny, oppression and established institutions that deny freedom.
• His idealism looks toward moral and political renewal rather than passive acceptance of existing authority.
• Therefore, option D is correct because Statement I is correct, but Statement II is incorrect.
వివరణ:
Question 15
ప్రశ్న 15
Which of the following statements about Keats’s major odes are correct?
1. They frequently explore tensions between permanence and change.
2. They connect beauty with mortality and loss.
3. They always resolve uncertainty through a single explicit doctrine.
4. They often dramatize shifts in the speaker’s perception.
1. They frequently explore tensions between permanence and change.
2. They connect beauty with mortality and loss.
3. They always resolve uncertainty through a single explicit doctrine.
4. They often dramatize shifts in the speaker’s perception.
Explanation:
• Statement 1 is correct because Keats repeatedly contrasts lasting art or song with transient human life.
• Statement 2 is correct because beauty becomes more intense through awareness of decay and death.
• Statement 3 is incorrect because Keats often preserves ambiguity rather than imposing one final doctrine.
• Statement 4 is correct because the odes trace changes in desire, imagination and understanding.
• Therefore, the correct combination is 1, 2 and 4 only.
• Statement 2 is correct because beauty becomes more intense through awareness of decay and death.
• Statement 3 is incorrect because Keats often preserves ambiguity rather than imposing one final doctrine.
• Statement 4 is correct because the odes trace changes in desire, imagination and understanding.
• Therefore, the correct combination is 1, 2 and 4 only.
వివరణ:
Question 16
ప్రశ్న 16
Assertion: Ode to the West Wind links destruction with regeneration.
Reason: The wind drives away dead leaves while carrying seeds that will awaken in a new season.
Reason: The wind drives away dead leaves while carrying seeds that will awaken in a new season.
Explanation:
• The Assertion is correct because Shelley presents destruction as part of a larger process of renewal.
• The Reason is correct because the wind scatters dead leaves and transports seeds to their winter resting places.
• Spring will awaken those seeds, converting apparent death into future life.
• The Reason therefore directly explains the Assertion.
• The Reason is correct because the wind scatters dead leaves and transports seeds to their winter resting places.
• Spring will awaken those seeds, converting apparent death into future life.
• The Reason therefore directly explains the Assertion.
వివరణ:
Question 17
ప్రశ్న 17
Match List I with List II.
List I
1. Childe Harold’s Pilgrimage
2. Ode to the West Wind
3. Ode on a Grecian Urn
4. To Autumn
List II
i. Seasonal ripeness and decline
ii. Art, permanence and unfulfilled action
iii. Travel, history and alienation
iv. Natural power and revolutionary renewal
List I
1. Childe Harold’s Pilgrimage
2. Ode to the West Wind
3. Ode on a Grecian Urn
4. To Autumn
List II
i. Seasonal ripeness and decline
ii. Art, permanence and unfulfilled action
iii. Travel, history and alienation
iv. Natural power and revolutionary renewal
Explanation:
• Childe Harold’s Pilgrimage matches iii because it combines travel with historical reflection and alienation.
• Ode to the West Wind matches iv because the wind symbolizes natural and revolutionary renewal.
• Ode on a Grecian Urn matches ii because it examines artistic permanence and actions frozen before fulfilment.
• To Autumn matches i because it presents ripeness, harvest and seasonal decline.
• Therefore, the correct code is 1-iii, 2-iv, 3-ii, 4-i.
• Ode to the West Wind matches iv because the wind symbolizes natural and revolutionary renewal.
• Ode on a Grecian Urn matches ii because it examines artistic permanence and actions frozen before fulfilment.
• To Autumn matches i because it presents ripeness, harvest and seasonal decline.
• Therefore, the correct code is 1-iii, 2-iv, 3-ii, 4-i.
వివరణ:
Question 18
ప్రశ్న 18
Which sequence gives the correct chronological order of these publications?
1. Childe Harold’s Pilgrimage, Cantos I and II
2. Ode to the West Wind
3. Keats’s major odes of 1819
4. Adonais
1. Childe Harold’s Pilgrimage, Cantos I and II
2. Ode to the West Wind
3. Keats’s major odes of 1819
4. Adonais
Explanation:
• Cantos I and II of Childe Harold’s Pilgrimage appeared in 1812.
• Shelley composed Ode to the West Wind in 1819.
• Keats wrote his major odes during 1819, with their publication following in 1820.
• Shelley published Adonais in 1821 as an elegy for Keats.
• Therefore, the correct sequence is 1, 2, 3, 4.
• Shelley composed Ode to the West Wind in 1819.
• Keats wrote his major odes during 1819, with their publication following in 1820.
• Shelley published Adonais in 1821 as an elegy for Keats.
• Therefore, the correct sequence is 1, 2, 3, 4.
వివరణ:
Question 19
ప్రశ్న 19
Which of the following pairs is incorrectly matched?
Explanation:
• Childe Harold is characterized by alienation, weariness and restless travel rather than domestic contentment.
• Byron is closely associated with the Byronic hero.
• Shelley’s poetry frequently expresses revolutionary and idealistic aspirations.
• Keats formulated the concept of negative capability.
• Therefore, the fourth pair is incorrectly matched.
• Byron is closely associated with the Byronic hero.
• Shelley’s poetry frequently expresses revolutionary and idealistic aspirations.
• Keats formulated the concept of negative capability.
• Therefore, the fourth pair is incorrectly matched.
వివరణ:
Question 20
ప్రశ్న 20
Which statement best distinguishes beauty from the sublime in Romantic aesthetics?
Explanation:
• Beauty is commonly associated with harmony, proportion, pleasure and attraction.
• The sublime arises from experiences of magnitude, obscurity, danger or power that overwhelm ordinary perception.
• Romantic poets often place beauty and sublimity in tension rather than treating them as mutually exclusive.
• Keats frequently explores beauty, while Byron and Shelley often employ sublime natural landscapes.
• The sublime arises from experiences of magnitude, obscurity, danger or power that overwhelm ordinary perception.
• Romantic poets often place beauty and sublimity in tension rather than treating them as mutually exclusive.
• Keats frequently explores beauty, while Byron and Shelley often employ sublime natural landscapes.
వివరణ:
Question 21
ప్రశ్న 21
Which interpretation of the urn in Ode on a Grecian Urn is most accurate?
Explanation:
• The urn preserves figures and scenes beyond the decay of ordinary life.
• Yet the lovers can never complete their kiss, and the procession can never reach its destination.
• Artistic permanence therefore carries both beauty and limitation.
• The ode resists a simple conclusion that art is wholly superior to life.
• Yet the lovers can never complete their kiss, and the procession can never reach its destination.
• Artistic permanence therefore carries both beauty and limitation.
• The ode resists a simple conclusion that art is wholly superior to life.
వివరణ:
Question 22
ప్రశ్న 22
Consider the following statements about the Byronic hero.
Statement I: The figure is often isolated from society and resistant to conventional morality.
Statement II: The figure is typically transparent, cheerful and free from guilt or secrecy.
Statement I: The figure is often isolated from society and resistant to conventional morality.
Statement II: The figure is typically transparent, cheerful and free from guilt or secrecy.
Explanation:
• Statement I is correct because the Byronic hero is usually alienated, rebellious and contemptuous of social convention.
• Statement II is incorrect because such figures are often proud, secretive, melancholy and burdened by guilt.
• Their charisma arises partly from the tension between moral transgression and emotional intensity.
• Therefore, Statement I is correct, but Statement II is incorrect.
• Statement II is incorrect because such figures are often proud, secretive, melancholy and burdened by guilt.
• Their charisma arises partly from the tension between moral transgression and emotional intensity.
• Therefore, Statement I is correct, but Statement II is incorrect.
వివరణ:
Question 23
ప్రశ్న 23
Which of the following statements about revolution in second-generation Romantic poetry are correct?
1. Shelley often imagines political renewal through natural or prophetic imagery.
2. Byron frequently reflects on liberty, oppression and fallen empires.
3. Keats’s poetry is reducible entirely to direct political propaganda.
4. Revolutionary hope may coexist with disappointment after the French Revolution.
1. Shelley often imagines political renewal through natural or prophetic imagery.
2. Byron frequently reflects on liberty, oppression and fallen empires.
3. Keats’s poetry is reducible entirely to direct political propaganda.
4. Revolutionary hope may coexist with disappointment after the French Revolution.
Explanation:
• Statement 1 is correct because Shelley uses winds, flames and prophetic voices to imagine renewal.
• Statement 2 is correct because Byron repeatedly addresses liberty, tyranny and historical decline.
• Statement 3 is incorrect because Keats’s poetry cannot be reduced to direct political propaganda, even though it belongs to a political age.
• Statement 4 is correct because Romantic idealism developed alongside disillusionment after revolutionary violence and reaction.
• Therefore, the correct combination is 1, 2 and 4 only.
• Statement 2 is correct because Byron repeatedly addresses liberty, tyranny and historical decline.
• Statement 3 is incorrect because Keats’s poetry cannot be reduced to direct political propaganda, even though it belongs to a political age.
• Statement 4 is correct because Romantic idealism developed alongside disillusionment after revolutionary violence and reaction.
• Therefore, the correct combination is 1, 2 and 4 only.
వివరణ:
Question 24
ప్రశ్న 24
Which comparison between Shelley and Keats is most accurate?
Explanation:
• Shelley often links imagination with liberation, revolution and the transformation of society.
• Keats frequently begins from sensuous beauty and develops meditations on transience, desire and uncertainty.
• Both poets value imagination and confront mortality, but their dominant emphases differ.
• Option A provides the most accurate comparison without making the distinction absolute.
• Keats frequently begins from sensuous beauty and develops meditations on transience, desire and uncertainty.
• Both poets value imagination and confront mortality, but their dominant emphases differ.
• Option A provides the most accurate comparison without making the distinction absolute.
వివరణ:
Question 25
ప్రశ్న 25
Which integrated statement best describes second-generation Romantic poetry?
Explanation:
• Byron, Shelley and Keats extend Romanticism through different combinations of rebellion, idealism, beauty, mortality and imaginative freedom.
• Byron develops the alienated Byronic hero and reflects on history, liberty and empire.
• Shelley treats poetry and imagination as forces of intellectual and political renewal.
• Keats explores sensuous beauty, transience and negative capability through formally intricate odes.
• Their work is self-conscious about poetic form and the powers and limits of imagination.
• Byron develops the alienated Byronic hero and reflects on history, liberty and empire.
• Shelley treats poetry and imagination as forces of intellectual and political renewal.
• Keats explores sensuous beauty, transience and negative capability through formally intricate odes.
• Their work is self-conscious about poetic form and the powers and limits of imagination.
వివరణ:
Answer Key సమాధానాల పట్టిక
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Question 1 ప్రశ్న 1Answer: B. Lord Byron, Percy Bysshe Shelley and John Keats సమాధానం: B.
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Question 2 ప్రశ్న 2Answer: A. Lord Byron సమాధానం: A.
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Question 3 ప్రశ్న 3Answer: B. Ode to the West Wind సమాధానం: B.
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Question 4 ప్రశ్న 4Answer: D. Negative capability సమాధానం: D.
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Question 5 ప్రశ్న 5Answer: C. A proud, alienated and rebellious figure burdened by a mysterious past సమాధానం: C.
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Question 6 ప్రశ్న 6Answer: A. Five sections of terza rima ending in couplets సమాధానం: A.
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Question 7 ప్రశ్న 7Answer: D. Ode to a Nightingale సమాధానం: D.
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Question 8 ప్రశ్న 8Answer: A. Ode on a Grecian Urn సమాధానం: A.
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Question 9 ప్రశ్న 9Answer: C. To Autumn సమాధానం: C.
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Question 10 ప్రశ్న 10Answer: D. A hope that poetic words may inspire renewal and change సమాధానం: D.
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Question 11 ప్రశ్న 11Answer: B. An experience of overwhelming grandeur that may combine awe, fear and imaginative elevation సమాధానం: B.
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Question 12 ప్రశ్న 12Answer: C. Childe Harold’s Pilgrimage సమాధానం: C.
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Question 13 ప్రశ్న 13Answer: B. Spenserian stanza సమాధానం: B.
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Question 14 ప్రశ్న 14Answer: D. Statement I is correct, but Statement II is incorrect సమాధానం: D.
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Question 15 ప్రశ్న 15Answer: C. 1, 2 and 4 only సమాధానం: C.
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Question 16 ప్రశ్న 16Answer: A. Both Assertion and Reason are correct, and Reason is the correct explanation of Assertion సమాధానం: A.
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Question 17 ప్రశ్న 17Answer: D. 1-iii, 2-iv, 3-ii, 4-i సమాధానం: D.
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Question 18 ప్రశ్న 18Answer: A. 1, 2, 3, 4 సమాధానం: A.
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Question 19 ప్రశ్న 19Answer: D. Childe Harold — model of domestic contentment సమాధానం: D.
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Question 20 ప్రశ్న 20Answer: A. Beauty is associated with harmony and attraction, while the sublime often involves vastness, terror or overwhelming power సమాధానం: A.
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Question 21 ప్రశ్న 21Answer: B. It preserves beauty and action but also freezes desire before fulfilment సమాధానం: B.
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Question 22 ప్రశ్న 22Answer: C. Statement I is correct, but Statement II is incorrect సమాధానం: C.
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Question 23 ప్రశ్న 23Answer: C. 1, 2 and 4 only సమాధానం: C.
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Question 24 ప్రశ్న 24Answer: A. Shelley often directs idealism toward social transformation, while Keats frequently explores beauty through sensuous experience and unresolved ambiguity సమాధానం: A.
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Question 25 ప్రశ్న 25Answer: B. It combines rebellion, idealism, beauty, mortality and the sublime through highly self-conscious poetic forms సమాధానం: B.
